The Rollicking Life and Times of the Notorious Novel Candy
THE CANDY MEN

"a magnificent epistolary
style...raucous and voyeuristic"

Publishers Weekly

THE MOVIE

"One can imagine the editor's brains slipping through
his fingers..."
— Pauline Kael

The Southern Journey:
Candy and The Magic Christian
as Cinematic Picaresques

[Studies in Popular Culture XV:1 (1992)]

"Sixties Filmmaking Is Decadent and Depraved—Candy," The Dartmouth Review,
by J. Lawrence Scholer

STILLS

ABOUT THE MOVIE:

Editorial Reviews
Amazon.com

Candy, based on the naughty, notorious erotic satire by Terry Southern, whose wicked pen contributed to Dr. Strangelove and Easy Rider (among other '60s classics), and adapted for the screen by the sly Buck Henry (The Graduate and Catch 22), is a bizarre second-hand reconfiguration of Candide for the permissive '60s. Swedish teen beauty queen Ewa Aulin is Candy, all breathy, wide-eyed innocence as a curvy blond kewpie doll--think Lolita, Barbarella, and Baby Spice all rolled into one--whose naiveté lands her in the sack with one dirty old man after another on a sexual odyssey. Guest cads include Ringo Starr as an embarrassingly unconvincing Mexican gardener; James Coburn preening as a surgeon who puts the "theater" into his operating theater; Walter Matthau as a snarling, insane general; and French crooner Charles Aznavour as a humpbacked spider man. Richard Burton stands out as a soused, sex-mad poet with an ever-present wind machine dramatically blowing his hair, and Marlon Brando's phony guru with a seductive line of mystic patter is downright hysterical.

48 pages wi/ 16 pages of B/W photographs. ISBN: 1-55970-604-X. PUB DATE: May 7, 2004.

SCREENINGS:

Alliance Francaise, New York City, September 2004
(watch for further details!)


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